If it is an ensemble cast, they generally try to audition in groups to see if the actors have chemistry. These taped auditions usually last anywhere from 10 to 30 minutes each. The producer and director get together with the casting director and audition actors for all of the scripted roles.
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A casting director is usually well connected with agencies and managers and will put together a casting call, or daylong series of auditions. If not, the people in charge could try to assemble the cast themselves - or they could work with a talent agency or casting director. When it's time for casting, there might already be a lead actor (or actors) attached to the project. This schedule is generally outlined as preproduction, production and postproduction.
Then the producers hire the crew - and finally, the pilot is shot and edited. When that's done, cast auditions are next. They help with hiring the director, talent, crew, writers and assistant producers, and their first task is rewriting or updating the script. Producers help the showrunner handle everything. Sometimes the showrunner is the person who created the show's concept, wrote the script or treatment and pitched it. He or she works with the writers and script, casts the actors, is responsible for creative direction and usually oversees the project from start to finish. First, the showrunner and producers are hired. When the network approves a pilot for filming, several things must occur. If the network likes the pilot, it will pick up the show for the season and make it a series.
A pilot is the first episode of a show - they're shot, fittingly, during pilot season, between January and May.
Now it's time to shoot the pilot episode. Jackpot! The network has green-lighted (said yes to) the show concept we followed in How Writing a TV Show Works and How Getting Your Show on TV Works.
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